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This dinner, locally known as the
The Gilbert and Sullivan Archive nbsp; Iolanthe

Pierce Funeral Home


Villa Heer

( September 20, 1925 - February 26, 2018 )

Villa Lee (Smith) Heer, daughter of Eva (Chamberlain) Bowers and step daughter of Homer Bowers, died suddenly Mon., Feb. 26, 2018 at The Commons Nursing Home, Enid. Villa was born in her grandparents' farmhouse, John and Della Maycumber, southeast of Fairview, OK September 20, 1925. At age 7 she played on the outdoor platform dance at Apple Grove while Mearl Heer (age 13) played banjo. 10 years later Villa and Mearl married, making their home in Longdale.

Villa was best known for her friendly greeting smile at the door of Mearl's dances for over 64 years in OK, TX, CO, and KS. During her working years she was a skilled seamstress, sales clerk (Colorado), waitress, and manager of the Red and White Grocery in Longdale.

Villa was active in Lions, Lioness Clubs, Longdale Country Op'ra, and Longdale Community Church in the years before suffering from arthritis. She enjoyed flower gardening, reading, crocheting, gathering with friends, and country music. When they lived in Salida, Colorado (1954-1980) their home was a revolving door of summer vacationers and big game hunters from Oklahoma. Villa kept the food stocked and the coffee perking for their loved ones.

Survivors are her daughter, Sharon Heer, Longdale; and grandson, Sandown Murrah, Fairview; nieces, nephews and friends. She was preceded in death by her husband, Mearl (2006); parents, Eva and Homer Bowers; and son-in-law, G. Myke Murrah.

Funeral services will be held 10:30 a.m., Saturday, March 3, 2018 at the Longdale School Gymnasium with Pastor Mark Dirks officiating. Interment will follow in Longdale Cemetery under the direction of Pierce Funeral Home, Fairview. Memorials may be made to Longdale Country Op'ra or Longdale Cemetery through Pierce Funeral Home, P. O. Box 15, Fairview, OK 73737. Condolences may be made online at www.piercefuneralhomes.com.

INTRODUCTION

Jelly Roll Morton created history when he sat down with Alan Lomax to record the Library of Congress recordings in 1938. Never before had an artist of Morton #8217;s knowledge, and yes, fanfaronade, put so much into words. For the first time we heard from a pioneer who had actually been there. Historians will argue about the truth of what Morton says. The fact is, he actually said it, and so we can judge from the horse #8217;s mouth.

What follows is a transcription by Michael Hill, Roger Richard and Mike Meddings of Jelly Roll #8217;s actual words. #8220;Actual #8221; is a relative term. We are, on a small number of occasions, unsure of some of his Creole-influenced pronunciation. At times, Alan Lomax, and others, are heard in the background as a muffled sound. Ergo some of the transcription is subject to a little poetic licence.

The essence of Jelly Roll #8217;s musical genius comes though. You sense his disappointments, the giant ego, put down by the Depression of the Thirties. However, he was never a man to give up. And here we also perceive the chutzpah of the artist. #8220;I #8217;m still here, #8221; he shouts. Thus Morton #8217;s words and music cement his place in the annals of jazz greatness.

Morton speaks in response to Alan Lomax #8217;s occasional prompting. Generally however, we hear a monologue. Sometimes Jelly Roll #8217;s speech is rambling and disjointed, but overall he weaves a credible and fascinating storyline from nearly a century ago. His words are eloquent and sometimes quite erudite. Characters long dead and long forgotten #8212; except to this great artist and storyteller #8212; come to life again.

Jelly Roll Morton was a denizen of the tenderloin and of the sleazy underbelly of life. So we might be shocked at some of the obscene language, the crude depictions of commercial goings on, the brutality and heartlessness depicted. Accept these we must though, if we want to view the world that he worked in, and which in part informed his creativity. Like Cellini, Jelly Roll was both genius and imperfect human being in one.

Special thanks to Michael Hill, Roger Richard, Prof. Lawrence Gushee, Prof. James Dapogny, David Sager, Peter Hanley, Millie Gaddini, Brian Goggin and Robin Penna.

© 2003 Mike Meddings

This dinner, locally known as the "Girl in the Pie xvideo xx 261f ltm was based upon Petronius, Martial, and the thirteenth book of Athenaeus., .







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